Sparkling City

Solo exhibition by Andrew Stahl

The central part of Andrew Stahl’s work comes from his interest in diverse cultures, societies, religions, traditions, and languages. Stahl uses these encounters to inspire his works. His personal language of art connects to ideas around representing thoughts and feelings and even confusion.

This British artist has established a long-term relationship with Southeast Asia, originating from early inclusion in British Council shows in the 1980s and from when in 1991, he was given a scholarship by the Wingate Foundation to explore Lao, Cambodia, Myanmar, Vietnam, and Thailand. Stahl’s work was very affected by his travels and he loved Thailand. In 2000, the British Council invited him to do an artist’s residency at Chiangmai University with an exhibition in the university museum, this was followed by an exhibition and residency the following year at Silpakorn University in Bangkok. Since then, he has had many exhibitions in Thailand most recently at the first Bangkok Art Biennale in 2018, he also recently had an exhibition in collaboration with close friend and colleague Panya Vijinthanasarn, entitled AP3: Falling (2017).

In August 2022, Stahl was invited by MATDOT Art Center for a three-month stay as an artist in residence. In the first few days after his arrival, Stahl spent much of the day traveling around and exploring Bangkok, he was inspired by this fantastic chaotic metropolis. From the newest and ultra-modern skyscrapers in the middle of the city lit up by bright neon signs to rickety shophouses merely a stone’s throw away, houses, parks, and temples, an eclectic and contradictory dynamics that makes up this capital city. Although he has been to the city many times, he continues to admire and have fresh inspirations from this ever-rapidly evolving city. This inspiration from the city is a part of this latest work.

Not only are big cities made up of physical aspects, but a multitude of activities that the humankind engages in, be it individually or collectively. Their details may differ from culture to culture but they all stem from the same basis. The occupation, the abandonment, and the forge forward with the changing of time. It is as though “Sparkling City” is the artist’s own realization of the city that Bangkok is in one moment of time.

Exhibition period: 12 October–12 November 2022

Light in the City, 2022
Oil on canvas, 214 × 240 cm 

Magic Monsoon, 2022
Oil on canvas, 183 × 214 cm 

Through the Rail, 2022
Oil on canvas, 100 × 120 cm 

City Snake, 2022
Oil on canvas, 100 × 120 cm

Plant Head, 2022
Oil on canvas, 60 × 80 cm 

Memories, 2022
Oil on canvas, 50 × 40 cm 

Jungle Tree Street, 2022
Oil on canvas, 50 × 60 cm 

Glowing Thoughts, 2022
Oil on canvas, 50 × 60 cm 

Forest Fire, 2022
Oil on canvas, 60 × 50 cm 

Discussion Flow, 2022
Found objects and acrylic
40 × 109 × 101 cm 

Jumping Through the Sky, 2022
Permanent ink on paper
21 × 29.7 cm 

Tree Dance, 2022
Permanent ink on paper
21 × 29.7 cm 

Music Memories, 2022
Permanent ink on paper
21 × 29.7 cm

Snake in the Head, 2022
Permanent ink on paper
21 × 29.7 cm

Sky Float, 2022
Permanent ink on paper
21 × 29.7 cm

Dance from the Hills, 2022
Permanent ink on paper
21 × 29.7 cm

Brian Building, 2022
Permanent ink on paper
21 × 29.7 cm 

Jewel in the Town, 2022
Permanent ink on paper
21 × 29.7 cm

Boo Baby Bird, 2022
Permanent ink on paper
21 × 29.7 cm

Sky Cat, 2022
Permanent ink on paper
21 × 29.7 cm