On 14 December 2025, an opening reception brought together artists, audiences, and ideas for an evening that marked the launch of three distinct yet resonant exhibitions by Sakarin Krue-On, Pathomporn Pathomporn, and Ya-chu Kang. The event drew art enthusiasts, collectors, and students, creating a lively atmosphere shaped by conversation, reflection, and direct engagement with the artists themselves.

Sakarin Krue-On’s Manorah and Best Friends of the Snake revisits his 30-minute silent film first created in 2010. Reinterpreting the Thai myth of Pra Suthon–Manorah, the work employs allegory to reflect the fragility and contradictions of contemporary society, offering a poetic yet critical lens on enduring cultural narratives.

Inception signals a pivotal moment in the practice of Pathomporn Pathomporn, widely known as Pry. Expanding beyond music and performance, the project unfolds as a multidisciplinary constellation of collaborations and solo visual works. Through encounters with musicians, visual artists, and performers, the exhibition explores intimacy, longing, and introspection as shared human conditions.

Completing the triad, Taiwanese artist Ya-Chu Kang presents The Unbearable Lightness. Drawing from Chapters II and III of her ongoing Hemp Research Project, the exhibition examines the material, cultural, and political dimensions of hemp and related fibres, shaped by field research across Thailand and Europe.

All three exhibitions are on view until 18 January 2026 and are open to the public free of charge.