For All Mankind
2009–10
In For All Mankind, Tawatchai Somkong continues his reflection on global instability, exploring the fragile balance between safety and danger, order and chaos. Centred on the symbol of the cross—commonly signifying prohibition or warning—the series questions how perception defines morality and risk. What is safe to one may be perilous to another, reflecting the duality of human experience.
Through layered compositions, shifting earth-like forms, and dark waves, Tawatchai visualises a world in motion, echoing ecological and social unrest. The vivid tones inspired by butterfly wings evoke the Butterfly Effect—the idea that even the smallest action can provoke immense, unpredictable change. This notion becomes a metaphor for humanity’s interconnection and the delicate equilibrium of existence.
Rather than depicting catastrophe, For All Mankind invites contemplation. It serves as a moral mirror, urging viewers to recognise their part within the wider system of life. Tawatchai’s vision suggests that awareness, empathy, and responsibility are essential for survival—both as individuals and as a collective species sharing one fragile world.















